Sumar nr. 19
Sfârșitul avangardelor? / The End of the Avant-Gardes?
Ion Pop, Sfârșitul avangardelor / The End of the Avant-Gardes / 5
Emanuel Modoc, Îmblânzirea avangardei. Grile de lectură și manifestări ale avangardei românești în timp / The Taming of the Avant-Garde: Reading Grids and Manifestations of the Romanian Avant-Garde over Time / 11
Rodica Ilie, O micro‐istorie a unei forme literare. Manifestul literar – De la legitimare la stază… / A Microhistory of a Literary Form. The Literary Manifesto – From Legitimation to Stasis… / 18
Michael Finkenthal, Is the Taming of the Avant-Garde Possible? / 32
Florin Balotescu, Din avangardă: tensiuni, zgomote, vertebre, distanțe / From the Avant-Garde: Tensions, Noises, Vertebrae, Distances / 37
Paul Cernat, Bacovia: „mutații” minimaliste / Bacovia: Minimalist “Mutations” / 51
Nicolae Tzone, Geo Bogza. (Auto)izgonirea din avangardă / Geo Bogza: (Self-)Exile from the Avant-Garde / 59
Ovidiu Morar, The Romanian Surrealism before the War / 80
Giovanni Rotiroti, Art, amour et politique surréaliste à Bucarest. Paul Celan et Ghérasim Luca : le moment décisif du dialogue / Art, Love and Surrealist Politics in Bucharest: Paul Celan and Gherasim Luca – The Decisive Moment of Dialogue / 87
Leo Butnaru, Avangarda rusă sub teroarea bolşevică / The Russian Avant-Garde under Bolshevik Terror / 101
Balázs Imre József, Anii ’30 și avangarda maghiară: spre un Lebenskunstwerk sintetizant / The 1930s and the Hungarian Avant-Garde: Towards a Synthesizing Lebenskunstwerk / 108
Marija Nenadić, Suprarealiștii după suprarealism sau Revoluția care nu și‐a mâncat fiii / Surrealists after Surrealism, or the Revolution That Did Not Devour Its Sons / 114
Andreea Apostu, La relation texte‐image dans les « livres de dialogue » surréalistes : Les Répétitions, Les Malheurs des immortels et Les Mains libres / The Text–Image Relationship in Surrealist “Dialogue Books”: Les Répétitions, Les Malheurs des immortels and Les Mains libres / 119
Dan Gulea, Restitutio Jacques Hérold / 126
Note bio‐bibliografice / Bio-Bibliographical Notes / 132










